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The Goodby People

Audiobook
1 of 1 copy available
1 of 1 copy available
First published in 1971, The Goodby People is perhaps the greatest novel ever written about post-Manson, pre-Disney Los Angeles.
"The bisexual draft dodger living on the skids, the glamorous young widow in search of enlightenment, the skinny gamine from out of town who wants to make it in the movies . . ."* These are the people who inhabit Gavin Lambert's mordant portrait of Southern California at the end of the 1960s: forever swapping addresses, lovers, and dreams. They live in extraordinary, suffocating wealth; or else flirting with a Mansonesque cult; or else in a fantasy where golden-age actresses make ghostly visitations to comment on their daily life. All that binds them together is their common sense of aimlessness—and the clear, judgment-free eye of a British author trying his best to be a friend to each.
Cool, incisive, yet essentially kind, and very much ahead of its time, The Goodby People unfolds "in the yawning chasm between real life in Los Angeles and the fantasies manufactured by its dominant business" (*Gary Indiana), and stands as Gavin Lambert's masterpiece.
Contains mature themes.
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    • Publisher's Weekly

      June 6, 2022
      Lambert’s cynical novel, first published in 1971, is set in Hollywood—a place the late author (Inside Daisy Clover), a two-time Oscar-nominated screenwriter, knew well. The unnamed narrator shrewdly observes three characters in Southern California. He first meets with Susan Ross, a former model who attempts suicide. Susan becomes further distraught after volunteering for a group that organizes legal and medical aid for impoverished Angelenos and having coffee thrown at her. The next section features Gary Carson, an attractive draft dodger, who beds—and stays with—the narrator, who gives him the “kind he never had before.” The third episode has the narrator connecting with Gary’s friend, Keelie, who keeps having visions of actor Lora Chase, who owns the house Keelie rents. Lambert (1924–2005) elevates his detached view of these characters with strong writing: Gary’s eyes have a “curious deadness about them,” and Keelie’s thoughts “seemed like a wind that was constantly changing.” He also includes terrifically descriptive scenes, whether of parties or an open-air concert. This welcome reissue ought to prompt readers to rediscover Lambert’s writing. Agent: Adam Reed, Joy Harris Literary.

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Languages

  • English

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