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City of Dreams

The Making and Remaking of Universal Pictures

ebook
1 of 1 copy available
1 of 1 copy available

Horror films. Deanna Durbin musicals. Francis, the talking mule. Ma and Pa Kettle. Ross Hunter weepies. Theme parks. E.T. (1982). Apollo 13 (1995). These are only a few of the many faces of Universal Pictures. In February 1906, Carl Laemmle, German immigrant and former clothing store manager, opened his first nickelodeon in Chicago, where he quickly moved from exhibition to distribution and then to film production. A master of publicity and promotions, within ten years "Uncle Carl" had moved his entire operation to Southern California, founded a city, and established Universal Pictures as one of the major Hollywood studios.

In City of Dreams, Bernard F. Dick traces the history of Universal Pictures from its humble early origins to the modern day and analyzes the studio's films, from horror flicks featuring Karloff and Lugosi to comedies starring Abbott and Costello and W. C. Fields. Dick details how the Laemmle family was eventually forced out of the Universal empire, replaced by a string of studio heads who entered and exited one after another—the beginning of the age of corporate Hollywood, which transformed Universal Pictures into NBCUniversal, a subsidiary of Comcast. Dick explains how the Universal-International merger in 1946, Decca's stock takeover in the early 1950s, and MCA's buyout in 1962 all presaged today's Hollywood, where the art of the deal often eclipses the art of making movies. Ultimately, although stars and executives have come and gone, shaping and reshaping the studio's image, Universal's revolving globe logo has lit up screens around the world through it all.

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    • Publisher's Weekly

      April 28, 1997
      In an amusing opening chapter titled "The Revolving Door," Dick, director of the Fairleigh Dickinson school of communication arts and author of Columbia Pictures: Portrait of a Studio, charts the comings and goings of the top brass in all the other Hollywood studios. Forewarned, readers then follow the rise of Universal's German-born founder, "Uncle Carl" Laemmle, from his first nickelodeon, in 1906, to his boldest creation: Universal City, California, in 1915. Here the studio cranked out "Super Jewels" such as The Phantom of the Opera and the lesser "Red Feathers." Son Carl Jr. gave us Frankenstein and Dracula and got canned. Succeeding moguls turned to Abbott and Costello and Francis the talking mule. Following WWII, the revolving door of Universal's ownership began to turn faster: Decca Records... MCA... Matsushita of Japan... and lately the Seagram empire. Dick tries to tell both the story of Universal's movies and the story of its place in the corporate food chain. This is not an easy mix. Nor does his uneven style help. For every gleam ("Disaffection... can turn film regulars into ones who may go to a movie but not the movies"), there are numbing lists of budget figures, rambling detours and asides that fall into the "Huh?" category ("The typical Hollywood chestnut is roasted into mealiness"). That said, Universal's story is a good window onto Hollywood, and Dick's movie-going enthusiasm is evident, even if his audience may feel the need to call, "Focus!" 36 b&w illustrations.

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  • English

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