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When Paris Sizzled

The 1920s Paris of Hemingway, Chanel, Cocteau, Cole Porter, Josephine Baker, and Their Friends

Audiobook
1 of 1 copy available
1 of 1 copy available
When Paris Sizzled vividly portrays the City of Light during the fabulous 1920s, les Années folles, when Parisians emerged from the horrors of war to find that a new world greeted them—one that reverberated with the hard metallic clang of the assembly line, the roar of automobiles, and the beat of jazz. Mary McAuliffe traces a decade that saw seismic change on almost every front, from art and architecture to music, literature, fashion, entertainment, transportation, and, most notably, behavior.
The epicenter of all this creativity, as well as of the era's good times, was Montparnasse, where impoverished artists and writers found colleagues and cafés, and tourists discovered the Paris of their dreams. Major figures on the Paris scene—such as Gertrude Stein, Jean Cocteau, Picasso, Stravinsky, Diaghilev, and Proust—continued to hold sway, while others now came to prominence—including Ernest Hemingway, Coco Chanel, Cole Porter, and Josephine Baker, as well as André Citroën, Le Corbusier, Man Ray, Sylvia Beach, James Joyce, and the irrepressible Kiki of Montparnasse.
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    • Publisher's Weekly

      July 4, 2016
      McAuliffe follows Dawn of the Belle Epoque with another breezy, brisk, well-researched work about Paris, this time focusing on the dazzling figures populating the once-denigrated Paris neighborhood of Montparnasse at its mesmerizing peak. “The Lost Generation” of expat writers and artists helped transform Montparnasse into a culturally rich, tumultuous community where the luminous and daring Josephine Baker danced, Gertrude Stein kvetched about James Joyce, and the taxi horns provided inspiration for George Gershwin. Not surprisingly, the area’s notoriety only grew with the proliferation of the expats and artists’ casual and often rash affairs, drug use (especially Jean Cocteau’s opium addiction), and other self-indulgent behaviors aided by reckless spending. Weaving in key advancements in cultural production (music, architecture, theater, film) and technological evolution in the automobile industry, McAuliffe smartly keeps her eye on political events in Paris as well as in central Europe, especially the increasing popularity of far-right movements and Charles de Gaulle’s rise in the French military. McAuliffe recreates a lush, gorgeous world filled with talented, yet immensely flawed innovators who experienced les années folles (“the crazy years”) as a rare escape into creativity, glamor, and respite from the sobering reality of a world prone to devastating wars. Illus.

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