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1,000 Recordings to Hear Before You Die

ebook
0 of 1 copy available
Wait time: About 2 weeks
0 of 1 copy available
Wait time: About 2 weeks
The musical adventure of a lifetime. The most exciting book on music in years. A book of treasure, a book of discovery, a book to open your ears to new worlds of pleasure. Doing for music what Patricia Schultz—author of the phenomenal 1,000 Places to See Before You Die—does for travel, Tom Moon recommends 1,000 recordings guaranteed to give listeners the joy, the mystery, the revelation, the sheer fun of great music.
This is a book both broad and deep, drawing from the diverse worlds of classical, jazz, rock, pop, blues, country, folk, musicals, hip-hop, world, opera, soundtracks, and more. It's arranged alphabetically by artist to create the kind of unexpected juxtapositions that break down genre bias and broaden listeners’ horizons— it makes every listener a seeker, actively pursuing new artists and new sounds, and reconfirming the greatness of the classics. Flanking J. S. Bach and his six entries, for example, are the little-known R&B singer Baby Huey and the '80s Rastafarian hard-core punk band Bad Brains. Farther down the list: The Band, Samuel Barber, Cecelia Bartoli, Count Basie, and Afropop star Waldemer Bastos.
Each entry is passionately written, with expert listening notes, fascinating anecdotes, and the occasional perfect quote—"Your collection could be filled with nothing but music from Ray Charles," said Tom Waits, "and you'd have a completely balanced diet." Every entry identifies key tracks, additional works by the artist, and where to go next. And in the back, indexes and playlists for different moods and occasions.
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    • Library Journal

      February 15, 2009
      Music critic, performer, and devotee Moon's reference work contains his own personal list of favorite recordingsalbeit a very well-informed one. His passion for music of all kinds is evident in enthusiastic (and sometimes glib) entries and a passionate introduction as well as in the care he has taken to make the list accessible. The book contains four different indexes (genres, classical and opera composers, classical and opera performers, and a general index), along with playlists for special occasions that have enticing titles such as "Cocktail Hour," "Roadtrip Soundtracks," and "Lazy Sunday Morning." With a few exceptions, the entries describe an album or a recording and consist of two or three paragraphs spanning a page or so, as well as a genre categorization and the release date. Most also identify additional worthwhile works by the same performer or composer, recordings directly related to the entry, and/or recordings that are of interest but less related. In scope, this work covers 21st-century recordings and those made during the last half of the 20th century in a very broad array of genres. Artists, composers, and performances one would expect make the cut, such as the Beatles, Richard Wagner, Miles Davis, and Andrew Lloyd Weber, plus more unexpected names like Goro Yamaguchi, Huun-Huur-Tu, 2Pac, and Tangerine Dream. BOTTOM LINE While not a scholarly work, Moon's list represents a well-informed opinion that many readers will welcome finding in public, school, and academic libraries. Moon hosts an accompanying web site, which features the same list and full entries contained in the book as well as Moon's blog about additional listening suggestions. This begs the question why anyone would buy the book but may explain the very reasonable price. [Check out the free online version at www.1000recordings.com.]Sarah Sutton, Texas A&M Univ. Lib., Corpus Christi

      Copyright 2009 Library Journal, LLC Used with permission.

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  • English

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